Songs Damita Jo (album)
the album s opening monologue, looking love , serves prelude album s content of romance , passion. jackson deciphers society s unification within desire affection in breathy tone on spatial , dreamy electronic backing: many different characters live within -- looking love. florid discourse considered quasi spiritual , sensual. second song, damita jo , composed of hip-hop , brittle funk. instrumentation includes bells, cat calls, , rap inflected scratches, shyly sexual vocals. thematically, jackson focuses on being misunderstood in media, in think m person watch on t.v.? , , concept of hidden personality. song s tricked-out lyrics feature jackson reflecting different moods, in sexy, quiet, shy, down time , , describe alter persona, in miss jackson don t, damita sure would.
sexhibition electro-funk song composed of cleverly crafted verbal puns, delivered saucy assertiveness. song opens rattling tablas , stuttering guitars. in lyrics, jackson again sings point of view of damita jo , in intermittent vocal bubbles discuss pleasures intends provide. jackson states relax, s sex , @ song s closing. fourth track, strawberry bounce , depicts jackson method acting sensual display alter ego strawberry. characterizing herself one-woman gentleman s club, jackson asks partner let me playground. song morphs sample of jay-z s vocals instrumentation of chimes, snapping rhythms, , synthesizers. fusing new-school hip-hop pop, jackson sings watch way pump it, way works gonna keep comin , in feverish pant. jackson s looped chorus hook, , song s tasty beat, described compose insanely catchy number , merits repeats , begs remixed, flipped, , stripped.
baby mid-tempo love song depicting sonic valentine jackson s fiancé. song features gentle acoustic guitars , shuffling percussion, , guest vocals kanye west, on breezy , laidback production. jackson delivers chorus in reassuring manner; described sotto voce purr . islands spoken-word segment in jackson confesses admiration island of anguilla, beach, , tropical humidity. interlude segues spending time , contemporary slow jam. lyrically, song captures jackson in moment of love. jackson speaks evenings relaxing in prior said location in brief interlude, magic hour , transitions island life. in island life , described pure seduction , jackson refers herself , companion in exotic paradise in lilting vocal: island in sun, , go/ride wave echo. instrumentation contains throbbing bass , light concoctions of caribbean-influenced music , ragga pop.
nite (don t stop) , album s third single, contains elements of electropop , funk; incorporated varied-instrumentation, including samba, grime, , latin percussion. song talks enjoying leisure time dancing @ club through lyrical metaphors: shake til re shaking floor/pop re popping cork/don t stop, don t stop. ultra-sexy song was, according review, primed fill dancefloors around globe sultry groove , shocking lyrics.
tracks 11–22
want classic pop ballad influenced motown music of nineteen-fifties , seventies. song s instrumentation includes chime-studded texture, violins, heavy drums, , girl-group arrangement on production described electronic reconstruction. retro song likened music of karen carpenter, , has swooning charm. eleventh track r&b junkie has retro feel consisting of eighties funk, dance-pop, , upbeat synths. transforms brief sample evelyn king new composition, considered candidate summer club hit. song s positive vibe described sonic ambrosia. don t love me blends guitars , heavy bass youthful vocals , repeated chorus littered throughout. lyrics talk feeling neglected sexually, jackson encouraging partner role play if not in monogomous relationship: need make love me/like don t love me [...] me wanna them other girls. song ends spoken reprise of album s title track s chorus.
the ballad thinkin bout ex continues album s transition distinctly slower tempo. backed acoustic guitars, jackson displays humanity in song s topic of longing former companion while in new relationship. jackson apologizes current partner: when m holding late @ night/i m thinkin ex [...] , know sorry doesn t mend broken heart. song s theme considered heartening , crucial culpability. warmth described aural journey in jackson performs oral sex on partner while in moving vehicle. jackson again displays method acting; providing descriptive details of event on swirling ambient guitars. whispers , moans heard, jackson compliments companion, , performs authority on track s minimal bass thump : water shore/let rain pour [...] nothing can compare warmth of mouth. jackson sings on light sound of rain , thunder, representing climax , ecstasy. jackson later clarified there in mouth recorded.
grouped in oral suite , erotic tone continues on moist ; in jackson on receiving end of pleasure. theme of uncontrived lust , soft vocals compared prior hit time, place. brief interlude comes down love sees jackson describing love truthful, honest, undeniable, sincere, , unforgettable. love song stripped down , quiet production, backed light guitars , strings. jackson s vocal delivery described beautiful. interlude 1 accompanies jackson s final monologue of romance flourishes of electronic music. slolove deep house-influenced dance song elements of jazz. jackson talks experiencing intimate moment on long period of time. in interlude country , jackson speaks various nicknames , origin of middle name while country guitar twang played.
the album s final track lead single little while , opens funk guitars , transitions uptempo pop-rock. jackson blends carnal , dirty intentions innocent desires, , longs intimate partner again: can t stop thinking things do/and how feels making love [..] know ll take anywhere/that wanna go right now/just love me little while. song has been described push-button rock & roll , album s interesting, , energetic moment , although placement last track considered odd. in international bonus put hands on , jackson sings of aligning lover s energy on midtempo house beat. in m here , jackson convinces companion ll never abandon them , stops them expressing negative thoughts: don t wanna hear say/your wall stands tall of stone/because love harassed pain/you feel ll grow old alone [...] wanting love deeply/won t let me?
Comments
Post a Comment