The middle-class tragedy Augustan drama



as prose , poetry, there no clear beginning augustan era in drama, end marked. augustan-era drama ended definitively in 1737 licensing act. prior 1737, english stage changing rapidly restoration comedy , restoration drama , noble subjects developing melodrama.


george lillo , richard steele wrote trend-setting plays of augustan period. lillo s plays consciously turned heroes , kings toward shopkeepers , apprentices. emphasized drama on household scale rather national scale, , hamartia , agon in tragedies common flaws of yielding temptation , commission of christian sin. plots resolved christian forgiveness , repentance. steele s conscious lovers (1722) hinges upon young hero avoiding fighting duel. these plays set new set of values stage. instead of amusing or inspiring audience, sought instruct audience , ennoble it. further, plays popular precisely because seemed reflect audience s own lives , concerns.


joseph addison wrote play entitled cato in 1713, did not inspire followers. cato concerned roman statesman opposed julius caesar. year of première important understanding why play unique, queen anne ill @ time, , both tory ministry of day , whig opposition (already led robert walpole) concerned succession. both groups in contact anne s exiled brother james francis edward stuart. londoners sensed anxiety, anne had no surviving children; of closest successors in stuart family roman catholic. therefore, figure of cato transparent symbol of roman integrity. whigs saw in him whig refusal accept absolute monarch house of stuart, while tories saw in him resistance rule triumphant general (john churchill, duke of marlborough, wife sarah rumored control anne). further, cato s claim caesar profited illegal war echoed tory accusations against marlborough. both sides cheered play, though addison himself whig , had meant play near propaganda. john home s play douglas (1756) have similar fate cato in next generation after licensing act.







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